Works

2019

Imaginary Explosions
Episode 2
Chaitén

23 minutes single-channel video
2k HD; color; sound with captions; audio description version available

Film Still (Karen at Vilcún): Imaginary Explosions, Episode 2, Chaitén (2019)

23 minutes single-channel video
2k HD; color; sound with captions; audio description version available

Holes. Holes or gaps or shapes. Negative shapes. The cuts out. Voids sponge the shape. You have to fill it in. Either with your imagination or with some stuffing. Stuffing information or another material. In this case, the material is data.

Like each one of us, the volcano is a dense, energetic node. It’s part of an extended social and biological ecosystem. To perceive a system, many impressions are necessary. We weave our perceptions together… We find that there are often missing pieces. As well as surplus. We didn’t quite feel around a corner… or we forgot to feel the ground when we were so focused on the sky. When that happens, we leave holes.

In Chaitén, the network follows signals coming from a cave at the foot of the Chaitén volcano in Chile, where the first human settlers carved the walls with vulvas—including a hybrid spider vulva. Interweaving documentary footage of a research team into the narrative, Chaitén departs from the evolutionary theory of holobionts to speculate about acquiring military radar cartography into the bodily sensorium.

Chaitén is the second episode in Imaginary Explosions (2018-2023), a speculative cosmology that blurs research science with art and fiction. The episodic series centers inhuman animacies and an alliance of transfeminist scientists who cooperate with the desires of the mineral earth to simultaneously erupt all volcanoes. Improvised with real-life scientists and media researchers, the films follow members of the network as they traverse geological sites across place and time and attempt to divest technoscientific instruments of their corporate and military infrastructures of power.

The Imaginary Explosions cosmology translates aesthetic forms of communication across sensory modalities while being in relation to inhuman alterities and non-normative bodies. How can we understand and interpret the inhuman world? How can we practice other ways of being in a body? Focusing on communication with geologic subjects through technologies and mutual alliances, the cosmology explores how human and mineral subjectivities are entangled, emphasizing moments when the earthly asserts its agency in the political sphere.

Preview: Imaginary Explosions, Episode 2, Chaitén (2019)

Featuring

Yun Ingrid Lee

is a composer, performer and artist based in The Hague. Recent works consist of lecture performances and writings on the noisiness of borders and identification in acoustic perception and histories of recording technology.

Dr. Nicole L’Huillier

is an artist from Santiago, Chile, and holds a PhD from the MIT Media Lab. Her work explores human and non-human performativity, rituals of membranal and resonant architectures, as well as vibration and sound as construction materials for spaces, identity and agency. For her composition featured in this episode, she collaborated with Daniela Catrileo, a philosophy professor, poet, and author of many books. Catrileo is part of the Mapuche feminist collective and publisher Rangiñtulewfü.

Dr. Karen Holmberg

is an archaeologist who specializes in volcanic contexts as proxies for radical environmental changes that humans have experienced for millions of years. She holds a PhD from Columbia and teaches at New York University, Gallatin School. This episode features the study for which Holmberg is the principal investigator: The Vilcún caves and volcanic landscape of Chaitén, Chile: a transdisciplinary conservation study of coastal Patagonian archaeology and geoheritage (National Geographic, NGS-185C-18). Team members: Dr. Francisco Mena, Dr. Rafael Labarca, Dr. Brent Alloway, Dr. Andres Burbano, Constanza Gomez (ProCultural), Dr. Javiera Letelier.

Caitlin Berrigan

Chaitén Volcano & Vilcún Caves

Credits

  • Director, Writer, Camera: Caitlin Berrigan

  • Original Compositions:

    Yun Ingrid Lee & Andrie van der Kuit (2019); Nampülwangulenfe / Mapunauta by Nicole L’Huillier & Daniela Catrileo (2018)

  • Voiceover: Edwina Portocarrero

  • Sound Mix: Sindhu Thirumalaisamy

  • Filmed Locations: Chaitén, Chile; Berlin, Germany; New York City, USA

  • Audio Descriptions: written and performed by Elaine Lillian Joseph

  • Audio Description Consultant: Thomas Reid

  • Colorist: Marika Litz

  • Additional Music:

    Palindrome Max de Wardener (2019)

  • Additional Imagery and Footage: Andres Burbano (Drone), Alfredo Barroso (Underwater), United Kingdom Virtual Microscope for Earth Sciences and ALMA (ESO/NAOJ/NRAO)

  • Supported By: Creating Earth’s Futures grant from the Royal Holloway University of London Center for GeoHumanities; Art in General’s New Commissions; the Wassaic Project; Foundation for Contemporary Art Emergency Grant